Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. I'm somewhat unfamiliar with the Sennheiser line of microphones. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Meet the KSM8 of house Shure, Inc., the Valyrian steel sword in my arsenal. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. Elegantly crafted products that are simple, useful, and desirable. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. Like most professional microphones, the KSM9 has a low impedance of 150 ohms. All rights reserved. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. This helps to achievean extremely fast transient responseand make the sound more vivid. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! ; chanel . jim martin death couples massage class san diego beaver falls football shure axient combiner. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. It is also nice to admit the technological advancements implemented in this unit. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Du. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. None. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. This will add more bass to the sound, due to the proximity effect. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. . The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. One of the very latest advances was introduced by American microphone manufacturers Shure at the Winter NAMM show at the start of this year, in the form of the worlds first dual-diaphragm dynamic handheld microphone, the KSM8. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. $621.00. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Both patterns arestandard and both can be as useful in different situations. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. Therefore, if you can afford this mic, go ahead and start digging that difference. In Europe, call 49-7262-92490. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. The Neumann KMS105 is another live handheld condenser mic. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. As low as $62/mo. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. Re: KSM9 vs. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. 1:41 Shure KSM9 Only Exclusive deals, delivered straight to your inbox. But theres one major difference between these two mics. Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. More videos like Shure KSM8 vs. KSM9 | What's the Difference? American Standard Pitch Notation, a true work of evil. Web site designed & maintained by PB Associates & SOS. 25 Feb/23. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). BA1 1UA. At 191 mm (7.5"), it's slightly longer than the Shure SM58. Hi Peter Geeksper.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. (source: Section 5), Specification of Neumann KMS 105 Microphone, Neumann KMS 105 MT Condenser Microphone, Super-Cardiod,Matte Black, Sennheiser e935 vs e945 Microphone Comparison, Telefunken M80 Review: Features, Pros, And Cons, MXL 990 Review: Microphone Features, Performance, Pros & Cons, Top 5 Best Microphone for Recorder in 2023, The Best Microphones and Headphones for Online Gaming, Highly detailed condenser mic for demanding on stage applications, Robust metal housing reduces handling noise, Includes stand mount and padded nylon bag. Last but not least is an interchangeable polar pattern. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. Are there any favorites on the Sennheiser end of things? Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. In my experience the KSM8 is a more hi-fi-sounding mic. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. Where the magic happens! Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes. It might be just what you need to take your sound to the next level. Click to reveal Being music makers ourselves, we love geeking out on all things gear. As a premium mic, the KSM9 is certainly pricey. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Another drawback of sensitive microphones is that they often have a low maximum SPL. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? Shure KSM8 vs Shure KSM9. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. A premium-range handheld condenser vocal mic with a clear and authentic sound. 1.93 in. Features. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. See giveaway details & rules or check out our past winners! 10 Albums That Are Complete Masterpieces According to You! Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. Theres no on/off switch on the KSM9 or any of the Shure KSM range. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . But aside from the minimal handling noise, this really is a different experience. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. On the surface this mic looks very similar, with the same sleek design. Its an effect used by radio presenters to give them very deep voices. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. The polar response also behaves differently with both frequency and source distance. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Thank you for your request. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Also, what's your use case, as this will probably help us guide you towards to best choice! But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. On first listen, the two mics have a similarly clear and transparent sound. Happy customers, one piece of gear at a time! To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. This means theyre prone to overload and distortion from louder singers. It also helps to counteract the proximity effect. Its not something I could actually hear. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. Ultimately they often sound better. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. Thank you for your request. The Neumann is also slightly more sensitive than the Shure, but it does have a similar max SPL. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a soft-flex stand adaptor clip and 5/8-inch thread adaptor. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. Theyre reliable, and lots of them sound great. This makes them very different types of mic, each with their own internal circuitry. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. The lows are being naturally rolled off to avoid that unwanted mud and boominess. The KSM9 appeared on our recommended list for Condenser Mics Under $1000 from October 2018 until March 2020. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). They both come with a built-in shock mount and are able to handle high volume levels. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! Your email, has been entered to win this giveaway. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . Shure QLXD2/KSM9. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. The KSM8 microphone is available in a black or brushed-nickel finish. Dynamic mics are particularly suited to live and stage use. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Are some types more durable than other similar in the live performance category? Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. Win a TB-03 and TR-06 from Roland. Consider helping Sound Forums keep the lights on. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. Their ability to reproduce sound so accurately is why they tend to be used in studio recording. Whereas condenser mics are active meaning they need something called power phantom power. Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . The Shure KSM9 could be the best choice for someone who wants excellent sound but cannot afford a Neumann kms 105. . This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. Shure KSM8 Shop now at Amazon. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement.
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